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Got tired of writing that show. >> sophisticated surveys, telephonic samplings, test audiences. all of those help to separate winners from losers and make midcourse corrections. you can't cut all comedies from the same cookie cutters. all you can hope is every night turns out like thursday. >> yo, angela! >> next. >> how rude. >> quick, i'll give him that. >> all of television said oh, well, maybe sitcoms are alive again. and that's all that it took. it took one success. >> a few years from now, something new may tempt the people that pick what we see. it's a very safe guess whatever gets hot ...

>> diane knew how to tease sam. sam knew how to tease diane, and i guess we know how to tease the audience. >> incredible chemistry between the two of them ignited the show. that's what's drove the show for the first five years. >> what's the matter? >> i'm devastated. i need something brutal to blast me into sweet oblivion. make it a mimosa. >> we had the luck to be able to rotate cast and every time we put somebody in, they were explosions. >> there was something very special about that setting, those characters that i never got tired of writing that show. >> sophisticated surveys, telephoni...

For you. >> diane knew how to tease sam, sam knew how to tease diane, and i gets we knew how to tease the audience. >> it was incredible chem try between the two of them ignited the show and drove the show for the first five years. >> i'm devastated. i need something brutal to numb my sensibilities and blast me into sweet oblivion. >> how about a boilermaker? >> make it a mimosa. >> we had the luck to be able to rotate cast, and every time we put somebody in they were explosions. >> boo. >> there was something very special about that setting, those characters, that i never got tired of writing...