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I guess we know how to tease the audience. >> this incredible chemistry between the two of them ignited the show. that's what's drove the show for the first five years. >> what's the matter? >> oh, i'm devastated. i need something expeditious and brutal to numb my sensibilities and blast me into sweet oblivion. >> how about a boilermaker? >> make it a mimosa. >> we had the luck to be able to rotate cast, and every time we put somebody in, they were explosions. >> buh! >> there was something very special about that setting, those characters, that i never got tired of writing that show. >> sophi...

Got tired of writing that show. >> sophisticated surveys, telephonic samplings, test audiences. all of those things help to separate winners from losers and make midcourse corrections. but you can't cut all comedies from the same cookie cutters. all you can hope is every night turns out like thursday. >> yo, angela! >> next! >> how rude. >> he's quick, i'll give him that. >> all of television said, oh, well, maybe the sitcoms are alive again. and that's all that it took. it took one success. >> a few years from now, something new may tempt the people who pick what we see. but it's a very safe ...

♪ >> let's get the check. >> "fatal attraction" was a cautionary tale. the cheating husband and the mistress is a stalker that kills bunnies and boils them, as a matter of fact. glen close is forever tied to this film and she's an incredible actress. >> what am i supposed to do? you change your number. i'm not going to be ignored, dan. >> in the original script, the audience sympathies were split between the male character and the female character, but with each iteration they made her such an extreme character, the original ending was that she was supposed to cut her own throat, but that di...

I guess we know how to tease the audience. >> this incredible chemistry between the two of them ignited the show. that's what drove the show for the first five years. >> what's the matter? >> i'm devastated. i need something expeditious and brutal to blast me into sweet oblivion. >> how about a boilermaker? >> make it a mimosa. >> we had the luck to be able to rotate cast, and every time we put somebody in, there were explosions. >> there was something very special about that setting, those characters, that i never got tired of writing that show. >> sophisticated surveys, telephonic samplings,...

>> buh! >> there was something very special about that setting, those characters, that i never got tired of writing that show. >> sophisticated surveys, telephonic samplings, test audiences. all of those things help to separate winners from losers and make midcourse corrections. but you can't cut all comedies from the same cookie cutters. all you can hope is every night turns out like thursday. >> yo, angela! >> next! >> how rude. >> he's quick, i'll give him that. >> all of television said, oh, well, maybe the sitcoms are alive again. and that's all that it took. it took one success. >> a few...