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Detailed text transcripts for TV channel - DW - 20171118:12:04:00 - Vimarsana News

Detailed text transcripts for TV channel - DW - 20171118:12:04:00

Own relying more on photo archives. there are so many pictures on instagram because people want to capture the present. that's why they're constantly snapping away. the catch is that once they take a picture they're actually looking back at the past forgotten so they have to take another one. next. now works on old pictures that resonate into the present of a photographer who isn't taking photos at present and who has long regarded his own life and work with a sense of right detachment a case in point these pictures he took of himself in ridiculous poses he called it his imprint series. well a...

Detailed text transcripts for TV channel - DW - 20171118:12:02:00 - Vimarsana News

Detailed text transcripts for TV channel - DW - 20171118:12:02:00

A human face you name need never thought of it before but the context in which you see that face will have a great effect on how you perceive and even maybe accept it and this is just one example of how our visual perception can be manipulated and that's one of many that german photographer thomas hoff has delighted in exploring well now the descent of artist is the subject of a major retrospective in london. thomas offs breakthrough came with first as a fellow art school students displayed like a list celebrities that up and it come in notions of the portrait. back in one thousand nine hundre...

Detailed text transcripts for TV channel - DW - 20171118:12:03:00 - Vimarsana News

Detailed text transcripts for TV channel - DW - 20171118:12:03:00

After studying at the disorder of arts academy thomas started with architectural photography but soon moved on to making portraits retouching images and creating montage is. explored unusual cameras too and used them to play with notions of authorship and reception. he borrowed equipment police used in the one nine hundred ninety s. to make facial composites of suspects to blur the line between portrait and mug shot in his own work. in response to the media coverage of the first gulf war got a special camera suited for nightime photography and took pictures of tranquil distant of the result ha...