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I mean, not exactly up my alley style and persona-wise. heaven knows i'm no box of candy. >> television very much was the small screen. what was interesting about tony yerkovich's pilot screenplay for "miami vice," it was very much not that. very much the approach was, okay, they call this a television series. but we're going to make one-hour movies every single week. >> here we go. stand by. >> action! >> police, police! >> they were describing the show as sort of a new wave cop show. >> yeah, it's a cop show for the '80s. we use a lot of mtv images and rock music to help describe the mood an...

Mood and feeling of our show. >> in a lot of ways you don't get "miami vice" without mtv because in a lot of ways "miami vice" was a long video. the music was such a big part of that show. ♪ >> there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. ♪ i can feel it coming in the air tonight ♪ >> it was only not afraid to let long scenes play out. it would drag -- a car going from point "a" to point "b" could be a four-minute phil collins song, you know. and it was. ♪ hold on ♪ >> being able to take a televi...

Mood and feeling of our show. >> in a lot of ways you don't get "miami vice" without mtv because in a lot of ways "miami vice" was a long video. the music was such a big part of that show. >> there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. ♪ i can feel it coming in the air tonight ♪ >> not only was it not afraid to let long scenes play out, it would drag. a car going from point a to point b could be a four-minute phil collins song, you know. and it was. ♪ >> being able to take a television series like "...

>> in a lot of ways you don't get "miami vice" without mtv because in a lot of ways "miami vice" was a long video. the music was such a big part of that show. ♪ >> there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. ♪ i can feel it coming in the air tonight ♪ >> not only was it not afraid to let long scenes play out, it would drag -- a car going from point "a" to point b could be a four-minute phil collins song, you know. and it was. ♪ hold on ♪ >> being able to take a television series like "miami vice...

I mean, you're not exactly up my alley style and persona-wise. heaven knows i'm no box of candy. >> television very much was the small screen. what was interesting about tony yerkovich's pilot screenplay for "miami vice," it was very much not that. very much the approach was, okay, they call this a television series. but we're going to make one-hour movies every single week. >> here we go. stand by. >> action! >> police! police! >> they were describing the show as sort of a new wave cop show. >> yeah, it's a cop show for the '80s. i mean, we use a lot of mtv images and rock music to help descr...