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Get away. did you hear his voice here? >> yes. >> you agree that his voice changed there, correct? >> no. >> you don't think it changed from what it was before? the words changed, but you don't think his voice inflection changed at all? >> not necessarily right there. >> okay, and then -- >> which way is he running? okay, which address is that that he's running for? >> the back entrance.
Daughter and for all the kids involved. the full truth needs to be in the public domain, their father is not a demon and their mother is not a saint and i'm not a home wrecker. we are real human beings and there is a real dynamic that was going on, good and bad, and we all made mistakes. >> bill: i'm going to step back here because i just loathe her. >> three divik points. she starts off very small. her shoulders are hunched and legs are crossed and hands in her lap. she is feeling slightly insecure. when she says i feel for my daughter and the kids involved. her voice inflection goes up which...
Daughter and for all the kids involved. the full truth needs to be in the public domain, their father is not a demon and their mother is not a saint and i'm not a home wrecker. we are real human beings and there is a real dynamic that was going on, good and bad, and we all made mistakes. >> bill: i'm going to step back here because i just loathe her. >> three divik points. she starts off very small. her shoulders are hunched and legs are crossed and hands in her lap. she is feeling slightly insecure. when she says i feel for my daughter and the kids involved. her voice inflection goes up which...
Daughter and for all the kids involved. the full truth needs to be in the public domain, their father is not a demon and their mother is not a saint and i'm not a home wrecker. we are real human beings and there is a real dynamic that was going on, good and bad, and we all made mistakes. >> bill: i'm going to step back here because i just loathe her. >> three divik points. she starts off very small. her shoulders are hunched and legs are crossed and hands in her lap. she is feeling slightly insecure. when she says i feel for my daughter and the kids involved. her voice inflection goes up which...
Okay? so after that comes, he starts talking about the book. and, once again, you hear his voice inflection go up that there was the bounce. there is a sense of pride there at well. at the end he comes right back down though with the voice and he says i will have to reassess that. this was really roller coaster. >> war and saw action there and that's what he was referring to in the beginning. he looks like a broken man to me. i know him. and i know how he is without any of this, and is he very energetic. he looks like. >> flat. >> bill: he is done. all right, tanya. thanks as always. we apprec...