Time Xone
Jack Barnett: This was always intended as a prelude to We Want War – to lull you into a false sense of security; maximum contrast. It was important to us to avoid the trap of bringing in classical instrumentation to make things sound orchestral or authentic . We were going for the opposite – to make the music even more uneven and distressed. 2D and stark, like a charcoal drawing. I d taught myself music notation in the preceding six months so this was a new world to me.
Graham Sutton: I ve always thought the process devised and decided on to make something has a really important effect on its outcome. For