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A new exhibition in the Australian Centre on China in the World at The Australian National University (ANU) offers a rare insight into the dynamic ways Taiwanese photographers navigated the end of martial law in 1987. An image by Hsieh San-Tai shows masked protestors demanding minority language rights in 1989, while another by Chien Yun-Ping, simply titled Love, shows a

Helen ennisShuxia chenChien yunHsieh san taiOlivier krischerNational taiwan museum of fine artsAustralian national universityTaiwan studies programAustralian centre on chinaMinistry of educationCentre for art historyAustralian centreChien yun pingNational taiwan museumFine artsProfessor helen ennis