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The fascinating story of Sophia Plowden, chronicler of Persian and Hindustani songs of nautch performers at 18th century Lucknow court

BN Goswamy Among the British Library’s extraordinary collection of materials relating to the history of Indian music in the eighteenth and early nineteenth centuries lie dozens of European accounts of the nautch intimate musical parties at which troupes of high-status North Indian courtesans would sing, dance, recite poetry, and match wits with the assembled company, often to mark special occasions. Note on a performance at the British Library (2018) A nautch troupe. From the Skinner album in the British Library, London. Having read, and sometimes written on, many accounts of Europeans, including Englishmen, who came and lived in India in the 18th century, I was often struck by how little interest, serious interest I mean, they took in Indian music. This, despite some visual evidence that has survived showing men like the British General, Sir David Ochterlony, and the Swiss engineer/adventurer, Antoine Polier, seated more or less Indian fashion on the floor, watching dancin

Skin hunger: why touch has never been important in our socially-distanced times

Skin hunger: why touch has never been more important in our socially-distanced times From birth to death, philosophy to art, a world without touch is a world without humanity. No wonder we hanker so much after it now 15 January 2021 • 8:00am The Human Touch, Fitzwilliam Museum  Credit: Fitzwilliam Museum  Among the many words and phrases that came to define 2020 – lockdown, circuit breaker etc – one struck me as especially heart-rending: skin hunger. It refers to our visceral need for skin-to-skin contact, which stimulates oxytocin (aka the “cuddle hormone”), reducing stress levels. According to scientists, simply hugging someone can prolong your life by a few seconds. As we enter a third national lockdown, though, touching others is what many of us are still denied.

Coin dating back to 1024 to feature at exhibition in Ramsey

Pointed Helmet type. - Credit: Roger Mould An exhibition planned for April will feature  a recently acquired medieval coin handed to the Ramsey Abbey Community Archaeology Project.  Roger Mould, team leader Warboys Archaeology Group and Ramsey Abbey Community Archaeology Project, was handed a medieval coin in September 2020 by a retired head of history teacher called Barry Williams, at Abbey College in Ramsey.   Short Cross Side - Credit: Roger Mould The Ramsey Abbey Community Archaeology Project has an exhibition called ‘Treasures of Ramsey Abbey’ which it hopes to open on April 3 at the Norris Museum, St Ives with an information area at Ramsey Library. 

David Scrase obituary

David Scrase loved giving impromptu gifts. Colleagues at the Fitzwilliam Museum in Cambridge recalled returning to their desks to find fresh fish or asparagus from a local market stall sitting on

Gagosian presents an exhibition of new works by Edmund de Waal

Gagosian presents an exhibition of new works by Edmund de Waal Installation view of Edmund de Waal: some winter pots, 2020 © Edmund de Waal. Prudence Cummings Associates. Courtesy Gagosian. LONDON .-Gagosian is presenting an exhibition of new works by artist and author Edmund de Waal, made during lockdown earlier this year. This is the first time in sixteen years that de Waal has made single works that are not parts of installations. They are specifically designed to be touched and held in the hand. De Waal comments, “I made these pots in lockdown during the spring and early summer. I was alone in my studio and silent and I needed to make vessels to touch and hold, to pass on. I needed to return to what I know—the bowl, the open dish, the lidded jar. When you pick them up you will find the places where I have marked and moved the soft clay. Some of these pots are broken and patched on their rims with folded lead and gold; others are mended with gold lacquer. Some hold shar

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