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Canberra’s Luminescence Chamber Choir with Sydney’s The Australian Voices. Photo: Peter Hislop.
Canberra International Music Festival / Concert 20, “Far and Near”, Australian Centre for Christianity and Culture, Sunday, May 9. Reviewed by HELEN MUSA.
THERE are few more pleasurable human experiences than sitting with other people listening to beautiful voices raised in song.
So it was when Canberra’s Luminescence Chamber Choir collaborated with Sydney’s The Australian Voices to perform 11 original compositions created specifically for them, as conductor Amber Evans explained, under the covid-related theme, “Far and Near”.
The songs related both literally and figuratively to this idea so that while some composers focused on human separation, physical and emotional, one reflected on musical issues and others looked to the sea and the sky for inspiration.
Amber Evans conducts the ensemble. Photo: Peter Hislop
Canberra International Music Festival / Concert 19, “Mozart Recomposed”. At the Fitters’ Workshop, Saturday, May 8. Reviewed by
ROB KENNEDY
HIGH jinx violins and Mozart’s requiem
recomposed by the Australian composer Gordon Hamilton were on the bill for this concert of musical invention.
But it was much more than that.
In the Fitters’ Workshop for the Canberra International Music Festival concert 19, “Mozart Recomposed”, the performers were, Kristian Winther, violin; Anna da Silva Chen, violin; Roland Peelman, pianos; Australian Voices with Luminescence Chamber Singers and led by soprano and conductor Amber Evans.
Anna da Silva Chen. Photo: Peter Hislop
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