Cultura celebra el Día de los Museos con un amplio programa de actividades para dar a conocer sus colecciones 20minutos.es - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from 20minutos.es Daily Mail and Mail on Sunday newspapers.
Myrna Kaye, astute writer and âsavvy sleuthâ in the antiques world, dies at 90
By Bryan Marquard Globe Staff,Updated May 12, 2021, 6:14 p.m.
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Mrs. Kaye, shown on her porch in Lexington on an American rocking chair, wrote several books, including There s A Bed in the Piano. BERRY, Pam GLOBE STAFF
Having moved with her family to Lexington in the early 1960s, Brooklyn-born Myrna Kaye needed a way to settle into her new life.
âI thought, âI have to do something to make New England home,â she told the Globe in 1998. âI looked around and saw all these weather vanes.â
Abilities Dance Boston. (Courtesy Abilities Dance)
Drawing inspiration from one of her favorite legends, choreographer Ellice Patterson will debut “Firebird” as a reimagined ballet on May 14-15. Although she grew up seeing versions of the ballet, something always seemed to be missing.
“I always felt different identities that I had, and others had, weren t reflected in [the ballet], she said. I was thinking of how to take a fairy tale and completely recreate a new ballet with the new score, with a new movement that is more inclusive of the world around us,” she said.
Patterson is the founder and executive director of Abilities Dance, a dance company that seeks to create a thriving space for professional dancers of all abilities. Her company has performed at the Museum of Fine Arts in Boston, GRUNT Festival in Chicago and Gibney in New York.
Turner s Modern World, Tate Britain review - the universal artist | reviews, news & interviews Turner s Modern World, Tate Britain review - the universal artist
Turner s Modern World, Tate Britain review - the universal artist
The great painter resists the confines of his own era, despite Tate s best efforts
by Florence HallettThursday, 13 May 2021
When
Turner’s Modern World opened at Tate Britain last autumn only to close again days later, we might have felt then an echo of sensations and sentiments powerfully expressed in the exhibition itself.
When
Turner’s Modern World opened at Tate Britain last autumn only to close again days later, we might have felt then an echo of sensations and sentiments powerfully expressed in the exhibition itself. Its subject is the dirty cacophony of newly industrial Britain, the startling modernity of which is often neglected in discussions of Turner that focus instead on the visionary aspects of his style. Conceived