Ramin Bahrani, the Iranian-American filmmaker, started out small, with the simple story of a pushcart vendor, a Pakistani immigrant selling coffee and dough
Border tensions are boiled down to two families in " No Man’s Land," an uneven independent thriller with some redeeming qualities. Its heart, and homages to classic Westerns, are in the right place . . .
Border tensions are boiled down to two families in “ No Man’s Land,” an uneven independent thriller with some redeeming qualities. Its heart, and homages to classic Westerns, are in the right.
Border tensions are boiled down to two families in “ No Man’s Land,” an uneven independent thriller with some redeeming qualities. Its heart, and homages to classic Westerns, are in
Ramin Bahrani, the Iranian-American filmmaker, started out small, with the simple story of a pushcart vendor, a Pakistani immigrant selling coffee and doughnuts in New York, in 2005’s “Man Push Cart.” In the years since, his films have steadily grown in scale and melodrama, but they’ve stayed resolutely within the gap separating rich and poor. […]