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Monthly Review | Was Folk Music a Commie Plot?
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How woke conservatives cancel their own culture
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Pat Barile, 1920-2020. | Courtesy of Barile Family
Pat Barile learned the meaning of the word devotion from the rank-and-file workers at the Sonotone Corporation plant in White Plains, N.Y. in the mid-1940s and 1950s.
Repeatedly, they elected him president of United Electrical Workers Local 428 for ten years even after Cold Warriors had branded him a Communist and instigated a witch hunt and continual efforts to decertify the UE.
Pat Barile, lower right, with some of his co-workers at the CPUSA National Office, April 1977. Top row, from left: Joelle Fishman, Ken Newcomb, Beth Edelman, Betty Smith, Ed Teixeira, Margaret Cann, and Lee Dlugin. Bottom row, from left: Henry Winston, Jake Green, and Arnold Becchetti. | People’s World Archives
By Dr. Edward DeVries
In 1969, the Black Panthers hosted a national meeting in Oakland, Calif. They called it a “Conference for a United Front,” and it attracted activists from numerous radical groups across the country. Speakers at the conference included representatives from the Communist Party USA, the Farm Workers Union, Students for a Democratic Society, the Young Patriots Organization (YPO) and, of course, the Black Panthers.
The speaker from the YPO, William Fesperman, was an interesting fellow: He wore dark glasses, a military jacket, a beret and a belt buckle with crossed pistols and a Confederate battle flag. Both the jacket and the beret also had Confederate flag patches on them. Though a resident of Chicago, Fesperman spoke with a heavy, drawling Southern accent. The Young Patriots he represented were dislocated Southerners and Border Staters many from coal country in West Virginia and Kentucky who had migrated to Chicago to find work in the mills, only to end up un
How Communist do you have to get before somebody notices? Fri Mar 12, 2021
Daniel Greenfield, a Shillman Journalism Fellow at the Freedom Center, is an investigative journalist and writer focusing on the radical Left and Islamic terrorism. In 2013, the Puffin Foundation issued a grant for what was described as a Soviet Yiddish Songbook . The CD, later issued as “City of the Future: Yiddish Songs from the Former Soviet Union”, is accurate only in that its songs, like Red Army and The Song of the Collective Farmer, are indeed in Yiddish. Otherwise they’re propaganda for a brutal antisemitic regime that killed countless Jews, including one of the men who wrote the song lyrics, and Yiddish culture.
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