Hard as it might be to believe, the years that stretched from roughly 1967 through the bicentennial year of 1976 brought even more foment, outrage, unrest, and upheaval to America than the most recent decade has managed. The escalation of the Vietnam War, the student protests against that war, the assassinations of Robert Kennedy and Martin Luther King, Jr., psychedelia and the sexual revolution, Woodstock, the political resurrection of Richard Nixon, the 1968 Democratic Convention in Chicago, the moon landings, the Manson murders, second-wave feminism, the Pentagon Papers, the shootings at Kent State, Watergate, the fall of Nixon, the rise of the summer blockbuster film it was an era of almost unprecedented social and cultural turmoil.
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Show People (1928) to Quentin Tarantino’s elegiac
Once Upon a Time In Hollywood (2019) films about Hollywood, and by extension Los Angeles, have been there from the start of movies and continued in various guises throughout its multifarious history, often with tongue planted firmly in cheek. Throughout the sixties and early seventies several films were produced that spoke of the end of Hollywood as a creative enterprise, that is, as a field in which artists could examine their emotions and ideas and their response to the contemporary world – a civilization in crisis that they sought to describe or explore in depth from within. From Pier Paolo Pasolini’s