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ASC Welcomes New Member Chayse Irvin - The American Society of Cinematographers

ASC Welcomes New Member Chayse Irvin The Canadian cinematographer’s credits include BlacKkKlansman and Beyoncé: Lemonade. Born in Canada, new member Chayse Irvin, ASC, CSC is known for his numerous collaborations with renowned artist and filmmaker Kahlil Joseph as well as work in commercials, music videos and features. Irvin has photographed numerous commercials for clients including Apple, Google, Gatorade, Heineken, Sephora, Samsung and Ford. His short-from work also includes “John Lewis & Partners: The Boy and the Piano,” starring Elton John, as well as music videos for artists such as Jay-Z, Leon Bridges, The xx, Porter Robinson, Just Blaze, and more. His camerawork on the Kan Wakan music video “Like I Need You” earned him a Camerimage nomination for Best Cinematography in a Music Video.

The Hitchhiker s Guide to Feedback Failures

The Hitchhiker’s Guide to Feedback Failures Share Via: Or how to avoid becoming someone who no one wants to show work to… In my respectably long hike of twenty four years in advertising, I have come across less than a handful of people who knew how to guide someone in turning a nugget of an idea into something spectacular, who could kill an average idea without shattering the fragile morale of a creative-in-the-making, who could reject a strategy and yet send the presenter back doubly charged, raring to return with something greater. Sadly, the vast majority, who have the exact opposite effect in that much hated event called ‘review,’ happen to account for 99.99999% of all the people who populate advertising agencies and client offices.

Chinese Crime Comic Hard Melody Debuting in the U S

January 29, 2021 10:10am by Graeme McMillan Lu Ming/Magnetic Press Magnetic Press is bringing the graphic novel by Lu Ming to the U.S. this April. After almost a decade apart, three old friends reunite in Beijing, and struggle to come to terms with how mundane their lives have become since they parted lighting the fuse for the explosive Chinese drama Hard Melody, due for its debut English language release from Magnetic Press this spring. Written and illustrated by Lu Ming the first Chinese illustrator to win a Gold Lion at the Cannes Lions International Festival of Creativity Hard Melody follows the three friends as they attempt to reform the band they belonged to in their twenties, and find themselves involved in an uprising against the authorities when an entire neighborhood faces eviction.

MRM Names Harsh Kapadia Chief Creative Officer For East Coast

MRM Names Harsh Kapadia Chief Creative Officer For East Coast Stewart Krull Joins MRM Princeton As Executive Creative Director News provided by Share this article Share this article NEW YORK, Jan. 21, 2021 /PRNewswire/  MRM, a leading marketing agency that is part of McCann Worldgroup, today announced it has named Harsh Kapadia EVP, Chief Creative Officer for MRM New York and Princeton. Kapadia moves to MRM from his role as Executive Creative Director (ECD) at VMLY&R New York and previously at Wunderman Thompson (JWT). In addition, Stewart Krull has been named ECD, MRM Princeton, and will report to Kapadia. (PRNewsfoto/MRM)

Cannes or Cannes t? A Mix of Cautious Optimism and Scepticism as Industry Responds to Lions Announcement – Campaign Brief

January 20 2021, 12:42 pm | BY Ricki Green | 4 Comments Last week, the Ascential-owned advertising and media mega-festival Cannes Lions confirmed plans to hold their event in the South of France in June. In any normal year, Cannes is the sort of event that always stir up mixed emotions – the excitement of meeting up with far-flung friends and exploring the best creative work the industry has to offer collides against the twitchy stress of, well, everything else – and the industry’s response to the news that organisers plan to go ahead after last year’s coronavirus cancellation is similarly mixed.   In 2020, with the whole world in some state of lockdown, organisers had little choice but to cancel. At this point in 2021, it’s hard to tell exactly what the world will look like in six months’ time. Vaccines have started to roll out, but levels of virus are high in many countries, driven by new, more infectious strains. Plus there’s a question of whether a jaunt

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