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Apollo. Preview and subscribe here.  A few years ago, when Michael Rakowitz’s statue of a lamassu – a winged god from ancient Assyria, in what is now Iraq – sat on the Fourth Plinth in Trafalgar Square, I would often stop by to see it. I liked how its reflective surface, made out of brightly coloured tin cans, layered along the body like scales and folded into feathery shapes, would change according to the weather. Unlike the monochrome monuments that make up the rest of Trafalgar Square, the lamassu, Rakowitz’s reconstruction of a statue originally from the palace of Nineveh that was destroyed by ISIS after the fundamentalist group took over much of Iraq in 2014, never quite seemed to sit still.

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