The King s Man Pushed Back To August 20 By Disney
Yet another delay for the prequel that s been delayed a couple of times already.
The Hollywood Reporter, and this film alone is one of many that has had multiple delays due to the COVID-19 pandemic when it was first announced in 2020, it was expected in theaters September 18 of that year.
Despite being the third movie, it s actually a prequel set decades before the first two movies in the Kingsman series, and as such, it doesn t feature star Taron Egerton. It explores the origins of the franchise s secretive spy organization. Check out the film s official trailer below.
The King s Man, Bob s Burgers Among Latest Disney Film Delays lmtonline.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from lmtonline.com Daily Mail and Mail on Sunday newspapers.
No Time to Die, which is turning into the canary in the coal mine of release date changes, moved its release date to October, a host of studios began shuffling around their schedules as well, including Sony and Universal. Now, 20th Century Studios (under the watchful eye of Disney) is delaying its big blockbuster
The King’s Man yet again. The film is now scheduled to land on Aug. 20 instead of March 12. This isn’t the first shift for
The King’s Man, which was originally scheduled to come out in November of 2019!
20th Century Studios is shifting more films as well, with the
Though
The Personal History of David Copperfield hit screens in the summer, casting for the project began back in 2016, when the landscape was quite different to how it is now, says casting director Sarah Crowe, citing a recent growth in diversity and representation reflected in projects like Netflix s
Bridgerton. As a result, Dev Patel s leading-man status in a Charles Dickens period piece may have been unexpected, but director Armando Iannucci began the project with the actor in mind given his amazing likability, warmth and vulnerability, Crowe says. Iannucci also mandated color-blind casting for the entire feature, simply instructing his collaborators to find the best actor for each part. Crowe, who notes that this was the first project she was given permission to cast without thought to race or physical appearance, describes the process as incredibly creative and very freeing and opened up her search to a far wider range of actors. The decision to cast color-blindly was
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