Oscars 2021 - all the things you missed as glittering ceremony returns in full splendour Mirror 2 hrs ago
But what about some of the smaller moments at the 2021 Oscars?
It may be Hollywood’s biggest event of the year, but the Academy Awards are also packed full of smaller more personal moments that you might have missed. Whether it’s on-stage blunders, or just cute coupley moments, there were plenty of these at this year’s Oscars. To help you stay on top of things, we’ve picked out our favourite bits from the whole ceremony – and no, we’re not including Daniel Kaluuya’s cringeworthy acceptance speech.
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Punky Brewster star about the realities of child stardom in the 90s.
“The rejection that you deal with as a kid, I thought it was pretty blunt growing up, like, the reasons for why you didn’t get [the role]. They’re like, ‘Eh, they just didn’t like your look.’ ‘Oh, okay. Yeah, I’ll go process that,’” he shared.
Mark-Paul also recalled one pivotal moment from when he walked on the stage of the comedy.
“The director was saying, ‘The minute you walk through these double doors leading onto the stage, you’re no longer a child anymore, you’re an adult. You have to act like an adult,’” he remembers, adding that “we all know what that meant, is like, this is an adult business.”
Updated 05/03/2021 09:11 GMT
Meet Moxie Star Josie Totah – The Actor, Writer And Producer Redefining Trans Representation
“The only way we’re going to be able to move forward is by accurate representation, the Netflix star tells HuffPost UK.
Josie Totah is helping to transform the way trans people are seen on screen.
“I sold my first script to NBC when I was 15 years old,” she tells HuffPost UK. “And ever since then I was like, ‘I want to do this for the rest of my life.’ So yeah, I see development in my future.”
Her next role, in Netflix teen drama Moxie, epitomises the approach to trans storytelling she champions. She plays CJ in the Amy Poehler-directed film, a teenage trans girl within a group of high school feminist activists that launch a zine called Moxie, to protest against the patriarchy – in this case, a group of bigoted high school boys.
For 88 episodes, NBC’s feel-good family sitcom
Punky Brewster reigned as one of the leading comedies of the 1980s. From the moment Soleil Moon Frye ambled through an open window of an abandoned apartment, she exuded a can-do spryness that kids wanted to emulate and adults couldn’t resist. Her mismatched shoes and Day-Glo fashions were nothing short of iconic, and her lovable smile and unrestrained affection made short work of stoic curmudgeon Henry Warnimont’s (George Gaynes) hardened heart. With charisma to spare,
Punky Brewter catapulted to the kind of cultural relevance that has defined similarly regarded productions like