Venue: Jordan Schnitzer Museum of Art WSU Exhibition Date: March 1, 2021 – August 21, 2021 Under the Same Sun and Moon: New Acquisitions from the Collection puts on view, in most instances for the first time, selections from collection newcomers. Over the last five years, the museum has added significant works of art to its permanent collection through selective purchases and generous gifts. Highlights include a quartet of complex prints by artist Jim Hodges as well as series of watercolors by the late artist Rick Bartow. Other important artists who have had works recently acquired by the museum include Ann Hamilton, Julie Mehretu, Marie Watt, and Richard Tuttle. These works have deepened our holdings . » More .
Members of the WSU Executive Budget Council are developing a mainstream budget model for all WSU campuses to better allocate university resources.
The EBC was created to make the budget model for the WSU system more holistic and transparent. There are fourteen members, said Elizabeth Chilton, WSU provost and council co-chair.
Chilton said the purpose of the EBC is to support the strategic priorities and goals of the institution. The council will also help support the WSU System Strategic Plan and One WSU system.
“We hope that [the council] allows us to think about where we can also build new resources, not just how we manage internally, but how we can better support financially and with fiscal responsibility, the WSU system, “ Chilton said.
Under the Same Sun and Moon: New Acquisitions from the Collection puts on view, in most instances for the first time, selections from collection newcomers.
In this moment of COVID-19 restrictions, when people around the world are being asked to limit their travel, Eugene’s White Lotus Gallery presents us with art from as far away as China and as near as Eugene.
Highlights from the Gallery Collection is drawn from the gallery’s permanent collection and features works from 21 different artists. The exhibit runs until March 6.
A problem that artists often face, regardless of the culture with which they identify, is how to make a portrait that is both personal and universal.
Yuji Hiratsuka, whose intaglio with collé print called “Urban Preacher II” is included in the show, typically leaves specific features off of his figures. Leaving off the eyes the so-called windows to the soul might seem a strange custom for an artist, but Hiratsuka relates this practice of omission to the simplicity of zen.
Martin Stadium reflects off the Jordan Schnitzer Museum of Art as a passerby treks through Washington State University’s campus on a snowy Friday morning in Pullman.