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Mahabharat actor Satish Kaul dies at 74 due to COVID related complications

Mahabharat actor Satish Kaul dies at 74 due to COVID related complications As per media reports, Satish s sister Satya Devi said that he was admitted to a city hospital in Ludhiana after he developed a fever six days ago. Satish Kaul | Photo credit: Twitter @@ashokepandit, YouTube screenshot Share Updated: Apr 10, 2021, 06:04 PM IST Veteran Hindi and Punjabi actor Satish Kaul, who featured in several films and television shows including Mahabharat , left for the heavenly abode on Saturday.  Reportedly, the actor died due to COVID-19 related complications in Ludhiana. He was 74.  Last year in May, the actor had sought financial help from the film industry as he was struggling with basic needs amid the lockdown.

Tom Alter, veteran actor and Padma Shri awardee, dies at 67

Tom Alter, veteran actor and Padma Shri awardee, dies at 67 Tom Alter, veteran actor and Padma Shri awardee, dies at 67 Veteran Actor And Padma Shri Awardee Tom Alter, Who Was Battling Stage Four Skin Cancer, Took His Last Breath At The Age Of 67. News Nation Bureau | Edited By : Himani Garg | Updated on: 30 Sep 2017, 05:57:01 AM New Delhi: Veteran actor and Padma Shri awardee Tom Alter, who was battling stage four skin cancer, took his last breath at the age of 67. Alter, a gold medal diploma graduate in acting in 1974 from the prestigious Film and Television Institute of India in Pune, has worked in over 300 movies apart from numerous TV shows.

With Abolition of Film Certificate Tribunal, Bad Days for Filmmakers Will Become Worse

With Abolition of Film Certificate Tribunal, Bad Days for Filmmakers Will Become Worse The move will benefit the Centre, which over the past seven years has overseen an unprecedented level of censorship. FCAT has been abolished. Photo: Myke Simon/Unsplash Government8 hours ago New Delhi: Most days are not good days for Indian filmmakers. But the abolition of the Film Certification Appellate Tribunal (FCAT) – a statutory body addressing filmmakers aggrieved by the Central Board of Film Certification (CBFC) decisions – has made bad days worse. Indian film certification comprises three bodies: the Examining Committee, the Revising Committee, and the FCAT. If a director is dissatisfied with the Examining Committee, then she approaches the Revising Committee. If she disagrees with the Revising Committee, then her final recourse is the FCAT – followed by the courts. But the FCAT abolition has removed a crucial link in the process, compelling the filmmakers to approach th

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