In the first installment of AltPress Weekly, we highlight our chloe moriondo digital cover, our Architects cover, Joel Madden's 'Artist Friendly' and more.
[Photo courtesy of Paramore]
Featured in the August 2007 issue (229), Hayley Williams made her Alternative Press cover debut ahead of Warped Tour 2007 before Paramore appeared on the cover of issue 235 as the Band Of The Year in February 2008. Following the release of their sophomore album in June 2007, ‘Riot!,’ the group were interviewed by Jonah Bayer and shot by Ralf Strathmann for issue 229. To celebrate the 14-year anniversary of ‘Riot!,’ we’ve dug up the full band’s first major feature with Alternative Press. The content has been modified and adjusted to meet the standards of Alternative Press’ digital platform.
Just two years ago,
In
The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years, due August 20 on New West Records, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation ( closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says. “The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don’t know how he got in there. He never signed on for work for hire.
Black Widow solo film ever since she entered the MCU franchise during
Iron Man 2. Now, despite several release date pushbacks, the premiere is just around the corner. With a villain whose actor has yet to be officially revealed (got to love those Marvel secrets), there are high expectations riding on this long-awaited film. The only way it could possibly get any better would be to add
Halestorm to the soundtrack. After all, badass women have to stick together.
New Found Glory –
The first two
Guardians Of The Galaxy films really set the bar high in regards to Marvel soundtracks, bringing in timeless classics that everyone can enjoy. Obviously, we’d expect nothing different from the third volume. However, adding a bit of timeless