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Review: Todd Golberg s The Low Desert, Inland Empire noir

Counterpoint: 304 pages, $26 If you buy books linked on our site, The Times may earn a commission from Bookshop.org, whose fees support independent bookstores. For a crime writer, a sense of place means as much as clean prose and a morally tormented hero. So a lot of what makes Tod Goldberg’s lively, often entertainingly snarky story collection “The Low Desert” so cohesive is its preferred destination for murder and despair: West Coast exurbia. “The Royal Californian” takes place in a stretch of Indio that “could have been Carson City or Bakersfield or Van Nuys or anywhere else where someone had the wise idea to plant a palm tree and then surround it with cement.” The penultimate story, “Ragtown,” concludes in a “rut of desert” outside Las Vegas. A handful of stories are set by the Salton Sea, a shriveling resort area ravaged by military tests, climate change and corporate exploitation. “The middle of someone else’s mistakes,” as one character puts it.

Review: Forget Chinatown, Jake: Todd Golberg s The Low Desert finds noir in L A s far outskirts

Review: Forget Chinatown, Jake: Todd Golberg s The Low Desert finds noir in L A s far outskirts
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Nuala McCann: Lough Derg hungry for a break, we are feasting on holiday porn

Lana Turner s Faustian Life Choices Parallel Her Movie Characters

Lana Turner in a 1940s publicity portrait by MGM. (Public domain/via Wikimedia) The Faustian life choices of this most glamorous star parallel decisions of her many movie characters. As we mark the 100th birthday of Lana Turner (1921-1995) this coming February 8 and reflect on her cinematic legacy, some of us may recall a line from a rather different sort of film from the kind in which Turner typically starred. In 2001’s wacko fantasy-drama Donnie Darko, Jena Malone, distraught over events in her personal life but elated at meeting up with her love interest the film’s eponymous anti-hero muses, “I guess some people are just born with tragedy in their blood.”

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