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Take Beautiful Pictures of Our People - The New York Times

‘Take Beautiful Pictures of Our People’ Born in 1960s Harlem, the Kamoinge collective was influential in Black photography but ignored by the mainstream until recently. This exhibition should change that. Anthony Barboza photographed “Kamoinge Members” in 1973. Back row, from left: Albert R. Fennar, Ray Francis, Herbert Randall, C. Daniel Dawson, Beuford Smith, Herb Robinson, Adger Cowans and Anthony Barboza. Front row, from left: Herman Howard, Ming Smith, James Mannas Jr., Louis Draper, Calvin Wilson and Shawn Walker.Credit.Anthony Barboza and Whitney Museum of American Art By Siddhartha Mitter Published Dec. 22, 2020Updated Dec. 23, 2020 Shawn Walker was up on 125th Street with Louis Draper and Ray Francis, hanging out and taking pictures. It was the summer of 1964 and the friends, in their 20s, were members of a fledgling photography collective in Harlem called the Kamoinge Workshop. That’s when the celebrated photographer Roy DeCarava walked up. The works

Juxtapoz Magazine - Working Together: The Photographers of the Kamoinge Workshop

Working Together: The Photographers of the Kamoinge Workshop Whitney Museum of American Art // November 21, 2020 - March 28, 2021 December 15, 2020 | in Photography Anthony Barboza, Kamoinge Portrait, 1973. Whitney Museum of American Art, New York; purchase with funds from the Jack E. Chachkes Endowed Purchase Fund 2020.55. © Anthony Barboza Adger Cowans, Footsteps, 1960. Gelatin silver print, image: 8 1/4 × 13 5/16 in. (20.96 × 33.81 cm). Virginia Museum of Fine Arts, Aldine S. Hartman Endowment Fund, 2018.201. © Adger Cowans Beuford Smith, Two Bass Hit, Lower East Side, 1972. Virginia Museum of Fine Arts, Arthur and Margaret Glasgow Endowment, 2017.36. © Beuford Smith/Césaire Herb Robinson, Brother & Sister, 1973. Whitney Museum of American Art, New York; purchase with funds from the Photography Committee 2020.46. © Herb Robinson

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