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Maria Cristina Didero appointed Milan Editor of Wallpaper*

Maria Cristina Didero joins Wallpaper as Milan Editor Maria Cristina Didero joins Wallpaper as Milan Editor A long-term friend of Wallpaper , Didero is an independent design curator, consultant and freelance author based in Milan and working internationally   Maria Cristina Didero photographed by Pierpaolo Ferrari for a feature titled ’Remaking Milan’, chronicling the women who changed the city’s design scene, appeared in the May 2014 issue of Wallpaper Wallpaper announces the appointment of Maria Cristina Didero as new Milan Editor. A long-term friend and collaborator of the Wallpaper team, Didero is one of today’s most respected curators, with over two decades of experience in the field of design and beyond. Through her work, she champions young designers, addresses the topic of sustainability in design, and explores design history and collaborative practice.

Deutsche und Schweizer Museen drängen aufs Öffnen

Deutsche und Schweizer Museen drängen aufs Öffnen
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Building History: German Museums Revealing Culture and Place

© Hufton+Crow Through the imaginative exhibits within ANOHA The Children’s World of the Jewish Museum Berlin, the museum gives their youngest guests a sense of hope and possibility. Located within an existing former flower market hall, the heart of ANOHA is a circular wooden ark, standing almost 23 feet (7 meters) tall with a 92-foot (28-meter) base diameter. The curvilinear ark complements the curved ribs of the Brutalist light scoops overhead, while the shift in materiality from concrete to wood offers a softening counterpoint to the existing space.

Selected Projects of Pritzker Laureates in 2020

Jean Nouvel, the 2008 Pritzker Prize winner, has his project The Artists’ Garden under construction in Qingdao, China. The architect aims to create a poetic space for artists and those who are passionate about art, a place where emotional responses to seeing the sea can be shared, a great central garden, with fishermen and their boats, a small creek, parasols, and a rectangular harbour. The museum needs to be flexible, but it should also remain a museum. Jean Nouvel proposes to link up several large rooms, extremely well-identified in the world of museography. He also suggests an ‘outside-inside’ promenade that will travel through the museum’s main rooms along the water’s edge and among the trees, with carefully chosen and controlled views over the sea and deep into the undergrowth. He proposes a clearly identifiable line that will align several buildings of contrasting characters.

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