Agree on plans for a two year transition period after breakfast and well talk with take a look at what it means for businesses. And where the European Court set rule on the case of two jailed turkish journalists we look at how that countrys crackdown on the media and Civil Society is affecting thousands of lives. Hello im terry martin good to have you with us. We begin in the u. K. Where International Weapons experts have begun analyzing the talks and used to poison a former russian spy and his daughter in the city of sauls berry says russia hits back at british allegations that it is behind the Attack Moscow is demanding that britain provide evidence to back up its claims but police in the u. K. Think that the. Evidence points the evidence or culpability points to the russian state and as it did in the case of Alexander Litvinenko the trail of polonium led back very clearly to the russian state and in the end. Mr putin is in charge and that is that im afraid he cannot escape responsib
bhatt plays the title role. inspired by a real life story, it tells the story of a russell madam in mumbai s red light district in the 1960s. we don t really get district in the 1960s. we don t really get characters - district in the 1960s. we don t really get characters written i really get characters written like this for women very often where they are like sort of front foot owning the screen. there is power, this strength, there is honour ability, this romance, there is drama. there is a lot ofjuice just for the one character. that is a lot ofjuice ust for the one character. is a lot ofjuice ust for the one character. at the start of the film. one character. at the start of the film, she one character. at the start of the film, she is one character. at the start of the film, she is betrayed i one character. at the start of the film, she is betrayed by i the film, she is betrayed by her lover and pushed into prostitution, but she rises up within that world, eventually be
district in the 1960s. we don t really get characters written like this for women very often where they are like sort of front foot, owning the screen. there is power, there s strength, there s vulnerability, there s romance, there s drama. there is a lot ofjuice, just for the one character. at the start of the film, gangubai is betrayed by her lover and pushed into prostitution, but she rises up within that world, eventually becoming an activist fighting for the rights of prostitutes and calling for prostitution to be legalised.
district in the 1960s. we don t really get characters written like this for women very often where they are like sort of front foot, owning the screen. there is power, there s strength, there s vulnerability, there s romance, there s drama. there is a lot ofjuice, just for the one character. at the start of the film, gangubai is betrayed by her lover and pushed into prostitution, but she rises up within that world, eventually becoming an activist fighting for the rights of prostitutes and calling for prostitution to be legalised. the audience is now willing to see new stories, they want to see new treatments and through the covid phase they have seen a lot of world cinema and now the whole approach is changed, they are willing to see some more subtle, more delicate, something which they have not seen before. gangubai kathiawadi seemed to please berlin audiences. it has a handsome, visually distinct style in keeping
we don t really get characters written like this for women very often where they are like sort of front foot, owning the screen. there is power, there s strength, there s vulnerability, there s romance, there s drama. there is a lot ofjuice, just for the one character. at the start of the film, gangubai is betrayed by her lover and pushed into prostitution, but she rises up within that world, eventually becoming an activist fighting for the rights of prostitutes and calling for prostitution to be legalised. the audience is now willing to see new stories, they want to see new treatments and through the covid phase they have seen a lot of world cinema and now the whole approach is changed, they are willing to see some more subtle, more delicate, something which they have not seen before. gangubai kathiawadi seemed to please berlin audiences. it has a handsome, visually distinct style in keeping with the director s previous