train car was about all eduardo had, a family fortune. the rest, along with the newspaper empire headlong, since withered away but we jaye felt for the man not money. and what eduardo locked in and a huge enveloping personality. jaye was in love and soon married and swept off to mexico. one thing that eduardo s heritage did afford was a chance for them to live anywhere they wanted in mexico and this is where they chose. with a colonial town, a place so lovely as attracted people from all over the world to come here and the. we jaye and eduardo loved fixing up and selling old houses. so, they made that their business. and they made children. it had big a big dream of mine to live in the country and to have a big organic garden and fruit trees and horses and lots of animals for the kids to
it is not, generally, off the shelf. and so, i think at any scale, at any budget, you have people who are really wearing their bodies and their clothes as a presentation and as a celebration. so yeah, i think that that spirit, is now, the world is seeing that and thinking, oh, wow, those colours, those shapes. those creations are really inspiring. in order for the world to really receive it and understand it, they need to come to west africa. this shouldn tjust be an export, but this should actually be an entry into this place and space, so you can really see how it is part of the larger culture. the adjaye s traditional wedding garments are one of several items in the london exhibition sourced from a public call out for objects,
this shouldn tjust be an export, but this should actually be an entry into this place and space, so you can really see how it is part of the larger culture. the adjaye s traditional wedding garments are one of several items in the london exhibition sourced from a public call out for objects, photographs and clothes that represent personal artefacts and memories of the continent. kofi ansah was an extraordinary designer. he was an extraordinary man. he passed away before, i think, the world got to see how extraordinary he was. i am thankful that i could have a piece, that i commissioned a piece that can be shared and that his legacy can live on alongside the kofi ansah foundation. it is important to share traditions and yes, it was a very personal day, but it was important to me for other, particularly black and brown kids to see, you can wear, on your special day, you can wear your own tradition. you can wear something that speaks to who you are,
the adjaye s traditional wedding garments are one of several items in the london exhibition sourced from a public call out for objects, photographs and clothes that represent personal artefacts and memories of the continent. kofi ansah was an extraordinary designer. he was an extraordinary man. he passed away before, i think, the world got to see how extraordinary he was. i am thankful that i could have a piece, that i commissioned a piece that can be shared and that his legacy can live on alongside the kofi ansah foundation. it is important to share traditions and yes, it was a very personal day, but it was important to me for other, particularly black and brown kids to see, you can wear, on your special day, you can wear your own tradition. you can wear something that speaks to who you are,