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Michael Fetter Nathansky • Director of Every You Every Me

21/02/2024 - BERLINALE 2024: A person you love can have many different faces, as the German director proves in his new outing

Review: Every You Every Me

20/02/2024 - BERLINALE 2024: Between realism and dream-state, Michael Fetter Nathansky depicts the complex relationship between a woman and her partner whom she can no longer stand but doesn’t dare leave

EXCLUSIVE: Trailer for Berlinale Panorama entry Every You Every Me

15/02/2024 - The second fiction feature by Michael Fetter Nathansky is a magical, social realistic love story set against the backdrop of one of the largest brown coal mining areas in Europe

Berlinale Film 'Every You Every Me' Picked Up by Be For Films

Be For Films has acquired Michael Fetter Nathansky's 'Every You Every Me,' which has been selected in the Panorama section of the Berlinale.

REPORT: San Sebastián Industry 2023

02/09/2023 - We take a look at the winning projects of this year's Europe-Latin America Co-Production Forum, as well as those of the WIP Europa, WIP Latam and Ikusmira Berriak sections

9 Top German Movies to Stream on Netflix Now - German Films to Watch on Netflix

The 50 movie masterpieces of the streaming era

There are great movies on Netflix, Amazon Prime Video, and Hulu, but what are the great movies *made* by Netflix, Amazon, and Hulu? In this big list of movies you can watch now, we look at Netflix Original movies, Prime Originals, and Hulu Originals that might one day live up to The Godfather and Dark Knight as the best movies of all time.

'Next Door' Review: Daniel Brühl Plays Himself, Sort of, in His Directorial Debut

'Next Door' Review: Daniel Brühl Plays Himself, Sort of, in His Directorial Debut 'Next Door' Review: Daniel Brühl Plays Himself, Sort of, in His Directorial Debut The German star winkingly sends himself up in a bar-set confrontation between celebrity and civilian that gradually runs out of steam. Guy Lodge, provided by FacebookTwitterEmail Director: Daniel Brühl With: Daniel Brühl, Peter Kurth, Rike Eckermann, Aenne Schwarz, Gode Benedix, Vicky Krieps, Justine Hirschfeld, Ole Hermann, Mex Schlüpfer, Steffen Scheuermann. (German, English dialogue) Running time: 1 hour 34 minutes Courtesy of Reiner Bajo Many of us have, at one point or another, been stuck in a bar argument that went on a bit too long, that got a bit too hostile, with someone we didn’t know too well — and it’s rarely a memory to be treasured. Would it help if the guy at the other end of the beery debate was the handsome, accomplished, generally likable German-Spanish thespian Daniel Brühl? “Next Door,” in which Brühl puts a thinly disguised version of himself through the psychological wringer, suggests not. The actor’s slender, self-reflexive directorial debut transitions from a low-key meditation on the privileges and perils of stardom to a far-fetched stalker drama in the time it takes to down a few pints, all while rarely leaving the confines of one scruffy Berlin dive bar. Yet the film’s games of genre-shuffling and celebrity self-satire can’t override the essential tedium of its core conflict.

'Next Door' Review | Berlin 2021 | Hollywood Reporter

Review: Next Door

film profile], in the main competitive section of this year's Berlinale. Based on an idea by the director himself and penned by Daniel Kehlman, the film follows an actor called Daniel (played by Brühl), who lives in a modern loft apartment in Berlin's Prenzlauer Berg district with his wife ( Aenne Schwarz) and a nanny taking care of their children. On a summer’s day, Daniel readies himself for an audition in London – probably for an important part in a superhero flick – and, before reaching the airport, he stops off at a familiar bar on the corner. There, a mysterious man called Bruno (