How Longform Editions Created a Boutique Outlet for Experimental Sounds
Andrew Khedoori remembers when he first fell under the spell of a longform composition. As a volunteer at a Sydney-based community radio station in the late 1990s, he came across a three-CD set of Eliane Radigue’s Trilogie de la Mort in a pile of discs to be discarded. Intrigued by the cover, he took it home and found himself engrossed in its shape-shifting dronescapes, each one roughly an hour long. “I was aware that I needed to give myself over to it,” he recalls. “That’s what Long...
Source: pitchfork.com