- no, not if there was a funny idea. - it s all about funny? - yeah. - so, this is the magic trick, huh? - illusion, michael. - mm. - a trick is something a whore does for money. - arrested development was absolutely firing on all cylinders from the first episode to the last. - don t you judge me. you re the selfish one. you re the one who charged his own brother for a bluth frozen banana. i mean it s one banana, michael. what could it cost? $10? - you ve never actually set foot in a supermarket, have you? - if you got it, it was the funniest thing you ever saw, cause it assumed its audience was as smart as its writers. - what have you got there? don t be afraid to make a. - well, i m not gonna beat myself up over that. - it was so clever, and more meta than just about any show that s ever been on television. - your average american male is in a perpetual state of adolescence you know, arrested development. - hey, that s the name of the show. - it was really smart in the eye that
one of the things about the wire that was so interesting is it didn t rely on this traditional representation of gangsters. it didn t rely on this traditional representation of cops. it was like reading a great novel or great series of novels. something ain t right, y all. watch out, man. i think the wire showed the architecture of a full city and the way it layered its characters, particularly omar. omar was, by all other facets of his life, pretty awful. yeah. the chief stands alone. but he had this code that he lived by that made him very touchable, very human. hey, yo mike? hook a sister up, yo. he was openly gay, but people were also very afraid of him. and his sexuality was not necessarily weaponized against him. and for me, i didn t see black gangsters portrayed that way a
trying to scrounge for food. where s you bookbag? i can t get no homework. so you start to get a much more realistic three-dimensional picture of what poverty looks like in a city. one of the things about the wire that was so interesting is it didn t rely on this traditional representation of gangsters. it didn t rely on this traditional representation of cops. it was like reading a great novel or great series of novels. something ain t right, y all. watch out, man. i think the wire showed the architecture of a full city and the way it layered its characters, particularly omar. omar was, by all other facets of his life, pretty awful. yeah. the chief stands alone. but he had this code that he lived by that made him very touchable, very human. hey, yo mike? hook a sister up, yo. he was openly gay, but people were also very afraid of him. and his sexuality was not necessarily weaponized against
months, why did they hide this? except for the fact that they simply hold us in contempt. tucker: super quick question, do you still think there are good government liberals out there bothered by the obvious corruption on display around us every single day? to the even? i think there are still a few clinging onto that, holding onto that. he made a couple of them in the media occasionally, folks who ask what s going on. we talk them all the time. and glenn greenwald, for example, they say this ain t right. tucker: and it ain t. i agree with that. chris bedford, thank you so much. so the mexican drug cartels have crossed over, along with 7 million other people, into the united states, and they are operating in this country very violently. in some cases, with impunity. government officials don t seem bothered by it. administrators at mount pleasant high school in rhode island, a school run by the state, asked teachers to pay a debt that a student owed to a drug cartel. this drug car
months? why doany hs, why you hide this except fh the fact that they simply hold us in contemptat less?ucker: sur question, uick question. do you think there are stilldo good government liberals outothy there who are bothered by the obvious corruption on display tion on around every single day?day? do they even care? ew yeah, i think there are still, d a few clinging onto that, holding on to thatin. made you ve made us a couple of themh in the media, even occasionally e folks say what s going on ?k th and , you know, weem talk about them all the time. people like maybed, for glenn greenwald, for example, is on the show all the time. righhey say this ain t right. it s and it.t ain t.t ain t. i agree with that. i agree chris biddeford, thank you so much. thank you.ou so so the mexican drug cartels 7 mi crossed over, along with seven million other people into the united states .y very and they re operating in this country very violentlyome e and in some cases with impunity.s, with imp