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I showed the design to Ted Boxall first, who loved it despite the inherent problems of re-subdivision (see later). I then gave Marr a set of prints so that we could have a proper design session. He loved the design and the perspectives, especially the one from the entry ramp. ‘Wow, Sammy! You are a real artist!’ (For obscure reasons I was known as Sammy in the architecture faculty). Marr was going to Penders the next day, so he decided he would look at the drawings in detail while he was there.

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