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'Now is the Moment': Enrique Martínez Celaya urges students to create

The artist's conversation with Nemerov was a cozy, thoughtful refuge from a rainy day, writes Maria Chica.

Joyce Camilleri: 'Everyone is replaceable in the workplace; quality is another story'

Artist Joyce Camilleri tells all in our Q&A

John Rogers Cox's Somber Clouds

As beautifully controlled as his paintings are, they also present a ghastly vision of the world.

A conversation with artist Kieran Dodds and academic Christian Gonzalez Ho on their new exhibit, ancient pilgrimage sites, and the church of the future.

Enrique Martínez Celaya: The Sea Memory (Found)

“I should make sure it doesn’t come across as another of the Chelsea show of paintings or ‘about painting,’” [sic] reads a note from the journal of Enrique Martínez Celaya. Pages from this journal, painted in reproduction on the wall of Miles McEnery Gallery on West 21st St., flank the threshold of the exhibition. “The goal of this passage is to deny the show but without over-explanation,” we read. “The writing should help to clarify it is not a ‘show.’” The artist’s musings in this liminal space prime the viewer to experience the six large and identically sized oil and wax paintings that hang just beyond it.

Joseph Bellows Gallery : Bill Yates : Sweetheart Roller Skating Rink

First Major Survey Exploring Night in American Art Opens at Bowdoin College Museum of Art

Summer '23 Book Show on Monday's Access Utah

'A Particular Kind of Heaven' currently on view at Parrasch Heijnen

a href= http://parraschheijnen.com target= _blank Parrasch Heijnen /a is currently presenting A Particular Kind of Heaven, a group show curated by

Into the woods of 19th-century America

Early American settlers said that a squirrel could climb up a tree on the coast of Massachusetts, set off westwards and not touch the ground until it reached the Ohio river. The squirrels, like the Native Americans, were pushed out and west. Timber was the settlers’ main resource, and they stripped New England of wood