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Never a better time to watch this moving Fringe show

Indigenous theatre has led the way on the path to reconciliation – and this new work by an emerging Wamba Wamba writer is a powerful example.

How Melbourne artists are creating a festival in lockdown

How Melbourne artists are creating a festival in lockdown
smh.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from smh.com.au Daily Mail and Mail on Sunday newspapers.

Serial killer Charles Sobhraj s daughter has been working as a US counterterrorism agent

Usha Sutliff, 50, is the daughter of French serial killer Charles Sobhraj and his former lover, Chantal Compagnon. She now works as a US government agent, DailyMail.com can reveal.

The Serpent is a convoluted but compelling fictionalized look at real-life serial killer Charles Sobhraj

Full price Full price This limited eight-part series is a co-production between BBC One and Netflix chronicling the crimes of real-life French serial killer Charles Sobhraj (Tahar Rahim), who murdered young tourists between 1975 and 2000. Sobhraj, a man of Vietnamese and Indian descent, drugged and robbed young travelers in Thailand and elsewhere, stealing victims identities, passports, and traveler s checks, and used the money to buy stolen gems at a discount to sell at a profit in Europe. With the help of his Québécois girlfriend, Marie-Andrée Leclerc (Jenna Coleman), and Indian henchman Ajay Chowdhury (Amesh Edireweera), they seemed untouchable . until a relentless Dutch junior diplomat, Herman Knippenberg (Billy Howle), began investigating the disappearance of two Dutch tourists. (eight 58-min. episodes)

Review: The Serpent takes its time to build intrigue

The Serpent takes its time to build intrigue Its split-level storytelling structure is frustrating, but the eight-episode limited-series is an effective slow-burn peek into Sobhraj’s shenanigans Priyanka Roy    |     |   Published 17.04.21, 12:05 AM Once you are able to get past its initial slow-burn pace and its frustrating byzantine narrative structure, The Serpent is a largely intriguing and often unnerving look at the life and legend of Charles Sobhraj. ‘Legend’ is, perhaps, a misnomer for a man as notorious as Sobhraj, but Google tells me that ‘legendary’ is one of the many synonyms for ‘notorious’. How else does one describe a man who murdered without breaking into a sweat, but also mesmerised with his innate charm? An eight-episode limited-series wat

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