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'Rich and neglected music' given a chance to shine

‘Rich and neglected music’ given a chance to shine We’re sorry, this service is currently unavailable. Please try again later. Dismiss By Peter McCallum Normal text size ★★★★½ The song cycle takes the listener into one of music’s most personal spaces, like reading poems in the privacy of your own imagination. Although they do not usually tell stories operatically, Sydney Chamber Opera gave a series of song cycles a subtle narrative in a series of “cycles of song cycles”, as...
Stefan George Luigi Dallapiccola David Evans Anna Fraser Antonio Machado Lili Boulanger

The Pact review – Wales's Big Little Lies will have you on tenterhooks | Television & radio

Last modified on Mon 17 May 2021 17.15 EDT I have been burned by enough TV thrillers to be wary of The Pact (BBC One). You know the ones. They are not all on ITV, but most are. They are showy crime dramas, usually stripped across the week, with a strong premise, a story that sets up a puzzle to be solved, only for it all to descend into farce in the final episode as the plot ties itself in knots. Even so, show me a starry cast and a hint of mystery and it is likely that I will be sucked in agai...
Pete Mctighe Eddie Marsan Anna Fraser Heledd Gwynn Harlan Coben Tish Abbie Hern

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CIMF / Reflective concert draws a mixed reaction

Canberra International Music Festival / Concert 8, “Do I Matter?”  At the Fitters’ Workshop, May 2. Reviewed by IAN McLEAN. “DO I Matter?” is one of a two part chamber music work in the “Hidden Thoughts” series by Australian composer Katy Abbot, the senior lecturer in composition at the Melbourne Conservatorium of Music. “Hidden Thoughts” came about following an online survey where more than 200 women submitted answers to questions, such as: “Do you have hidden thoughts a...
Australian Capital Territory Hannah Fraser Mark Donnelly Susannah Lawergren Andrew Oconnor Anna Fraser

Sydney Festival 2021: Poem for a dry river bed explores a nymph's laboured creation of a river bed

★★★★ Reviewed January 6 The work begins with darkness, silence and undifferentiated shapes, slowly awakened by insects, dim light and the sound of slow breath. A crouching figure slowly emerges from a bed of clay and, in gathering light, the sounds turn to stertorous effort, rising in intensity as the labour of extending the clay bed across the performing area grows. Jane Sheldons performance of Poem for a dried up river combines opera, poetry, physical theatre and art. Cred...
New South Wales Alice Oswald Anna Fraser Sydney Chamber Opera Chamber Opera Jane Sheldon
Source: smh.com.au

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