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ArtReview Birth and Death, 2003, inkjet print, ink, synthetic polymer paint on Chinese accordion book, dimensions variable. Photo: Anna Kucera. © the artist. Courtesy the artist and MCA Australia, Sydney The failure to belong to a culture is often framed as a personal shortcoming. But for Lindy Lee, the perspective of an outsider can lead to acts of artistic generation and open the door to truths you don’t yet know. The Australian-Chinese artist grew up in Brisbane, Queensland, during the 1950s and 60s, before the end of the White Australia policy, the regime that restricted immigration from non-European countries for nearly seven decades. Although she once yearned to fit in, she now believes that embracing her otherness is a source of rich creative power. “You know how it is in the schoolyard, when one has a face that is different,” says Lee, now in her sixties, a note of wistfulness in her voice. “But if you have to grow up on the fringe of something, or if you are st

New zealandNew south walesUnited kingdomSaint andrewVale of glamorganSydney college of the artsByron bayCity ofLindy leePhuong ngoJason phuSullivan strumpfEl grecoChelsea school of artA centre for contemporary asian artMuseum of contemporary art