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ArtReview Birth and Death, 2003, inkjet print, ink, synthetic polymer paint on Chinese accordion book, dimensions variable. Photo: Anna Kucera. © the artist. Courtesy the artist and MCA Australia, Sydney The failure to belong to a culture is often framed as a personal shortcoming. But for Lindy Lee, the perspective of an outsider can lead to acts of artistic generation and open the door to truths you don’t yet know. The Australian-Chinese artist grew up in Brisbane, Queensland, during the 1950s and 60s, before the end of the White Australia policy, the regime that restricted immigration from non-European countries for nearly seven decades. Although she once yearned to fit in, she now believes that embracing her otherness is a source of rich creative power. “You know how it is in the schoolyard, when one has a face that is different,” says Lee, now in her sixties, a note of wistfulness in her voice. “But if you have to grow up on the fringe of something, or if you are st

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