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Project MUSE - Negotiating Change in Recent Southeast Asian Art

Project MUSE - Negotiating Change in Recent Southeast Asian Art
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When SAM met Natasha

A pair of shaggy, vaguely technological totems, bedecked in artificial straw and tiny bells, stand in one room of Singapore Art Museum, which accommodates much of this year’s Singapore Biennale, aka SB2022, aka “Natasha.”

Rise Of Contemporary Art In Thailand: What You Need To Know

Contemporary mediocrities

At the recent ribbon-cutting ceremony of the Office of Contemporary Art and Culture's (OCAC) Art Collection in the spacious art hall on Ratchadamnoen Avenue, a group of ageing male artists covered in sanitary masks surrounded the director of OCAC, Vimolluck Chuchart, who gave a self-congratulatory speech. She proudly announced that the public will be able to view for the first time the national collection of the Ministry of Culture's contemporary Thai art. Beside these elderlies stood a white giant fibreglass sculpture by Sutee Kunavichyanont in Thai military uniform wearing a helmet with a rifle erect. Sutee's Equality; Thai Soldier (2016) is inspired by the cultural mandates between 1939 and 1942 during the premiere of Phibul Songkhram that aimed to uplift the national spirit and moral code of the nation and instil progressive tendencies and newness into Thai life.

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