📰 August Sander News
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December 31, 2023
Brighten up dark January with our one-a-day selection of works of art chosen and introduced by the Observer’s art critic
December 29, 2023
We asked our staff and contributors to look back on a year in art around the world, from major museum shows to unexpected gems in alternative spaces.
December 12, 2023
In an interview coinciding with his major Paris exhibition “i need to live,” Teller reflects on the relationship between art and commerce.
December 7, 2023
Airlifted out of Vietnam as a teenager when Saigon fell, the Vietnamese American photographer makes no attempt to simplify the unbearably complex, and pits individual agency against huge geopolitical forces
December 5, 2023
As her new exhibition Night Watching and Pictures from the Archive opens in New York, Rineke Dijkstra talks about the importance of casting in her work and drawing inspiration from Rembrandt
December 1, 2023
An-My Lê speaks with Hilton Als about about how she uses photography to examine her personal history and the legacies of US military power.
November 14, 2023
Shot between Lviv and Kyiv during August this year, Kacper Zywicki’s new photo series focuses on those who remain in Ukraine, at the mercy of a war they may end up fighting in
November 14, 2023
Museum Folkwang’s 2024 programme will focus on people and their imagination in a powerful and diverse way, across epochs and disciplines.
November 2, 2023
When cryptocurrency was on the rise, photographers rushed to release NFTs. But is the NFT actually a medium—or merely a medium of exchange?
November 1, 2023
Joel Meyerowitz never stops. With shows this fall in Berlin, London, Paris and, locally, in Montclair, New Jersey, Meyerowitz also presents photographs from his archive daily through an online platform, Fellowship. His energy is inspiring. His excitement for the medium, contagious.