David Verbeek and shown in the IFFR’s Limelight section, is a lot of fun. It s a lot of glossy, easy-to-digest fun, to be more exact, the kind most efficiently delivered by Netflix Originals these days. Its presence at Rotterdam is welcome, if baffling, even considering Verbeek s status as a regular there, as it s easy to imagine the critical drubbing this story would normally get outside of the festival circuit – its commercial flair and gorgeous, super-rich people playing tricks on each other seeming out of place among the handheld-style, politically charged flicks even before the blood-sucking tendencies kick in. But let s start from the very beginning.