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Osun@30: Oladosu Oladipo as catalyst of state creation
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Is Babangida also a master satirist?, By Festus Adedayo
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Lai MohammedThe readers may be wondering why I say again. It is to connect the past with the present. It is about Lai Mohammed’s unrelenting efforts to hamstring the media since 2017. It is not unusual in these climes to have spacecraft in readiness to transport leaders into the clouds for them to lose their heads.
Exactly 32 years ago, I wrote in these pages, drawing the attention of President Ibrahim Babangida to the cheer orchestra and the clapping crowd around him. The piece was captioned “Amicus Plato…” It reads as follows: x
“In a period of disquiet, all manner of suggestion and criticisms inundate those interested in public affairs. Usually, attention shifts to criticisms to see what can be learned from upbraiding, to see who is making the criticisms and to ferret the motives of the critics. Is the criticism in the normal course of duty of professional critics? When does a critic become a security risk? In the period of unease
Jakande
I stood rooted to the ground watching the convoy accompanying the hearse conveying the remains of Alhaji Lateef Kayode Jakande, the unmatched reference point in modern governance in Nigeria, and the poster face of fearless journalism, to Vaults and Gardens, Ikoyi. Everywhere, upon learning about the passing of the convoy and identifying it as Jakande’s, people abandoned whatever they were doing and rushed to learn his route to bid him farewell. Waving their hands, they hailed him “Jakande, Baba dada; (Jakande, the good old man); “Irin re o!”(Safe journey).
It was an outpouring of love at every bend, at every corner as the convoy departed from his Ilupeju home. Jakande left in a blaze of glory. But for the restraint, indeed, restriction imposed by the COVID-19 pandemic, Lagos would have been shut down with vehicles and crowds jostling to say good bye to an icon, a byword in governance and in journalism. I did state in July 2019 on the occasion of his 90th birthday,