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Installation view. Courtesy: Maude Maris & Praz-Delavallade Paris, Los Angeles. Photo: Rebecca Fanuele. PARIS .- For the title of her first solo show at Praz-Delavallade, Maude Maris has chosen Hieromancy, a reference to the ancient practice of divination using offerings to the gods, in particular studying the entrails of sacrificed animals. The exhibition that bears this rare, contextualised term is comprised of around one dozen paintings of figures suffering from rosacea, their abnormally flushed complexions shot through with pink, red and burgundy. Each blends, more often than not, into a cool, blurry blue background. Right from the start of her career some fifteen years ago, Maris implemented a precise ritual involving painted objects - one to which she has always remained true – and yet this series marks a departure. It is as if the images have established a mysteriously connection to the occult world, one which unsettles notions of scale, disturbs perception and disrupts do

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