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Originally, it was
[David] Potter rapping, so we decided to call a professional instead. nothing,nowhere. is a very talented dude. [Iâm] thrilled to have him a part of the track. It just
hits.
Can you give readers a rundown on what the song is about/the inspiration behind the track?
Frankly, I died. I was a servant to the opinions of people who didnât give a fuck about me. My self-worth was so low that I would get high off a glimpse of their approval. I lost myself, and I think the old me had a deathwish all along. But now Iâm back and truly have zero fucks left to give.
The 20 best albums of 2020 by LGBTQ+ artists
It’s the unstoppable queer music talent for me.
WORDS BY ZOYA RAZA-SHEIKH
28th December 2020
2020 has been a tumultuous year for music. With a lack of live shows and those euphoric moments of yelling lyrics openly in a crowded space, it’s been a year of putting some celebrations on hold. But still, artists found strength in solitude and unveiled some incredible works of art. Whether they were lockdown saving graces or platters of pure pop escapism, queer artists across the globe pulled off some unforgettable records.
So, in true GAY TIMES style, we’ve pulled together our favourite 20 albums by LGBTQ+ artists and chucked them in alphabetical order. And, of course, a true wrap-up listicle wouldn’t be fit without a crowning glory, so we’ve given a special mention to our choice Album of the Year.
Whilst
Use Me seems to be the end of an old chapter for PVRIS, it is logical to see it more as a new beginning, with Gunn taking ownership and sole credit of the PVRIS name, expanding and building on everything that PVRIS have released up until this point in time.
Use Me is irrefutably a true PVRIS album.
Merging catchy, ear-worming mainstream pop beats and twinkling synths with grooving basslines and gritty guitars
It follows on logically from their debut
White Noise and sophomore
All We Know of Heaven, All We Need of Hell, merging catchy, ear-worming mainstream pop beats and twinkling synths with grooving basslines and gritty guitars, combining the genres of pop and rock, whilst also bending these genres by simultaneously experimenting with soulful R&B sounds, and electric dance beats.