hip-hop had hit this point where it had become mainstream, and all of a sudden it starts appearing in other forms of music. there s this kind of rock-rap happening. sometimes, something kicked there s hip-hop that can be found in pop music. harrison ford getting frantic like sting i m tantric like snickers guaranteed to satisfy there s r&b and rap mixing for new jack swing. new jack swing around town doesn t give a same type of feeling teddy riley was the big new jack swing producer, and he produced everybody. all i want to do zoom, zoom and a boom, boom he had wreckx and effect. he had his own group guy, heavy d and the boys. bang bang bang we got our own thing it all had this kind of rhythm that made you have to dance. get down, good lord new jack swing was someone that could sing with the level of stevie wonder with the break beat background of a public enemy, and marry those two. baby, i can get you with my
and a boom, boom he had wreckx and effect. he had his own group guy, heavy d and the boys. bang bang bang we got our own thing it all had this kind of rhythm that made you have to dance. get down, good lord new jack swing was someone that could sing with the level of stevie wonder with the break beat background of a public enemy, and marry those two. baby, i can get you with my ride i like the way you work it no diggity no diggity is the masterpiece of the new jack swing era. we out hip-hop was a male-dominated music. seriously. like, women were thought of, oh, you re not sexy? hm, get out of here. you re not shaking that ass, get out of here. i want to take a minute or two give respect to the man that made a difference in my world female emcees wasn t a pop cultural phenomenon really until salt n pepa, and that blew the
bang bang bang we got our own thing it all had this kind of rhythm that made you have to dance. get down, good lord new jack swing was someone that could sing with the level of stevie wonder with the break beat background of a public enemy, and marry those two. baby, i can get you with my ride i like the way you work it no diggity no diggity is the masterpiece of the new jack swing era. we out hip-hop was a male-dominated music. seriously. like, women were thought of, oh, you re not sexy? hm, get out of here. you re not shaking that ass, get out of here. i want to take a minute or two give respect to the man that made a difference in my world female emcees wasn t a pop cultural phenomenon really until salt n pepa, and that blew the doors off it. what a man, what a man, what a mighty good man mighty mighty good man it opened up the door for people to go, well, who else are
of stevie wonder with the break beat background of a public enemy, and marry those two. baby, i can get you with my ride i like the way you work it no diggity no diggity is the masterpiece of the new jack swing era. we out hip-hop was a male-dominated music. seriously. like, women were thought of, oh, you re not sexy? hm, get out of here. you re not shaking that ass, get out of here. i want to take a minute or two give respect to the man that made a difference in my world female emcees wasn t a pop cultural phenomenon really until salt n pepa, and that blew the doors off it. what a man, what a man, what a mighty good man mighty mighty good man it opened up the door for people to go, well, who else are females and rapping? oh, here s that m.c. lyte. can i get a rock show can i get a rock band oh, who s this queen latifah girl? then later on, oh, who s this
thing it all had this kind of rhythm that made you have to dance. get down, good lord new jack swing was someone that could sing with the level of stevie wonder with the break beat background of a public enemy, and marry those two. baby, i can get you with my ride i like the way you work it no diggity no diggity is the masterpiece of the new jack swing era. we out hip-hop was a male-dominated music. seriously. like, women were thought of, oh, you re not sexy? hm, get out of here. you re not shaking that ass, get out of here. i want to take a minute or two give respect to the man that made a difference in my world female emcees wasn t a pop cultural phenomenon really until salt n pepa, and that blew the doors off it. what a man, what a man, what a mighty good man mighty mighty good man it opened up the door for people to go, well, who else are females and rapping? oh, here s that m.c. lyte.