Broken Kilometer News Today

Here lie the ruins of the American avant-garde. Wood salvaged from an installation by Dan Graham, offcuts from a felt piece by Robert Morris, and s

Bill Dilworth has spent thirty-four years minding the soil for “The New York Earth Room,” a Walter De Maria installation in SoHo, Samantha Henig writes.

Walter De Maria (1935–2013) almost never gave interviews. In a rare one from 1972, he mentioned that he had conceived twenty-four three-dimensional

Jeffrey Weiss on the preservation of Walter De Maria’s Earth Room

From the blog of Cesar Chelala at The Times of Israel

Just as you’re about to step into Walter De Maria: Boxes for Meaningless Work, you might notice a short, high-pitched sound underlying the other noises that occupy museum galleries. It’s the chirping of crickets, and because it emanates from a speaker hung near the ceiling, it seems to envelop the vestibule, both placeable and unlocatable.

The street artist takes us through a week in his life.

Chryssa & New York is co-organized by Dia Art Foundation, New York, and the Menil Collection, Houston.

a href= http://www.gagosian.com target= _blank Gagosian /a announced the publication of Walter De Maria: The Object, the Action, the Aesthetic Fee

Sculptor Donald Judd had the vision. The Dia Art Foundation had the money. Now they’ve had it with each other.