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While making a black-and-white documentary with the Maysles brothers, Truman Capote plans a big soiree: the infamous Black and White Ball.

Either “Argylle” is a movie secretly set in the future, or its producers were way too lazy to pick a Beatles song that isn’t embarrassingly illogical.

The first two episodes of “Feud” Season 2 lay out the groundwork for the socialites’ war against Capote, their former friend and new enemy.

This radical reimagining of the 2005 film is funnier, sexier, and smarter, topped off with a tour-de-force performance from Maya Erskine.

Percy Jackson finally gets to meet his dad in the epic, Mount Olympus-set finale of the first season, which serves as one of Lance Reddick’s final TV appearances.

The shocking supervillain of “Percy Jackson and the Olympians” Season 1 reveals his take on the role was inspired by Anakin Skywalker and Killmonger.

After a seven-year hiatus, “Feud” returns with a delicious mélange catty cruelty, poignant tragedy, and top-tier performances.

Being an Arianator has never been more useful than in this week’s “Night Country”—unless Danvers is lying about that, too.

The Academy is honoring not only two of the best films of last year, but two of the most remarkable, innovative World War II films ever made.

“The Heart” tells the story of a grief-stricken man, his mother’s bizarre dying wish, and a forgotten carton of milk.