Ambassador altidor. [applause] i know we had to leave shortly, but will turn to the next panel for judith to take over. Thank you very much, ambassador altidor for those remarks and being so candid and open with us and passionate about the future of haiti. Thank you. So now, we are going to turn to a panel of people who will bring some experience they have encountered working on the ground to tell you about some of the important accomplishments and challenges they are encountering. But pamela coe, have a coffee break at the end of it. At the panda will go for about an hour. Each of them will speak for about 20 minutes and then have a joint question and answer for both of them. You have their biographies and a section of paper attached to the program, so i wont read it all to you. But just to say that to my immediate left, its a great pleasure to have Elizabeth Lake with us who is Senior Vice President for advocacy and Governor Affairs for habitat for Humanity International. Youve all h
Staggers me, i generally dont find it myself i find it with the audience. Rose continuing with shakespeare this evening we talk to stephen fry who is also in richard the third and 27th night. We know in 1602 when it was performed indoors, in fact, in the middle temple, one of the legal halls, medieval halls that the lawyers used, and we know what the hall looks like because it hasnt changed to this day and we know, of course, that this happened a lot, because english winter is pretty famous, the summers are pretty famous but during the hours of daylight you could use it and the outdoor theatre very happily but the whole other half of the year to keep your actors, you know, from starvation, so you go to lawyers halls, cambridge colleges, the houses of nobility and you played your plays there so you had to cut them and this new one was clearly written for an indoor theatre, you can sort of tell. Rose we conclude this evening with the great disrie lynnist annesophie mutter. Part of the re
Find it myself i find it with the audience. Rose continuing with shakespeare this evening we talk to stephen fry who is also in richard the third and 27th night. We know in 1602 when it was performed indoors, in fact, in the middle temple, one of the legal halls, medieval halls that the lawyers used, and we know what the hall looks like because it hasnt changed to this day and we know, of course, that this happened a lot, because english winter is pretty famous, the summers are pretty famous but during the hours of daylight you could use it and the outdoor theatre very happily but the whole other half of the year to keep your actors, you know, from starvation, so you go to lawyers halls, cambridge colleges, the houses of nobility and you played your plays there so you had to cut them and this new one was clearly written for an indoor theatre, you can sort of tell. Rose we conclude this evening with the great disrie lynnist annesophie mutter. Part of the repertoire we will perform satur
This is siena, a wonderfully preserved Medieval City in central italy. At its heyday around 1300, it was one of the most civilized and prosperous places in europe. Siena and other italian citystates can stand as a new beginning in our story of western art. Hitherto, the old medieval world view had, put simply, divided the classes of society into the aristocracy at the top, the church, and the laboring peasantry at the bottom. In places like this, we see for the first time a new class, conscious of its own identity the merchants. These cities were no longer controlled by feudal lords. They were republics. Here in siena, several thousand citizens were eligible for election to the governing bodies which met down there in the palazzo publica. And in the palazzo, there is a fresco painted in the 1340s which encapsulates their faith in the secular arts of government, in the moderating power of reason in human society. Its called the effects of good government. This marvous fresco, painted by
This is siena, a wonderfully preserved Medieval City in central italy. At its heyday around 1300, it was one of the most civilized and prosperous places in europe. Siena and other italian citystates can stand as a new beginning in our story of western art. Hitherto, the old medieval world view had, put simply, divided the classes of society into the aristocracy at the top, the church, and the laboring peasantry at the bottom. In places like this, we see for the first time a new class, conscious of its own identity the merchants. These cities were no longer controlled by feudal lords. They were republics. Here in siena, several thousand citizens were eligible for election to the governing bodies which met down there in the palazzo publica. And in the palazzo, there is a fresco painted in the 1340s which encapsulates their faith in the secular arts of government, in the moderating power of reason in human society. Its called the effects of good government. This marvous fresco, painted by