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October 31, 2023
Out in an arid, underpopulated northeastern Brazil, an unusual but not entirely inconceivable love story plays out, presented as a kind of morality lesson or at least a cautionary tale.
October 21, 2023
The sonic sculpture of Camille Norment
October 14, 2023
Robert Smithson, the pioneering land artist, repeatedly said that his art was a clear distillation of his essential self, and should be free of any bi
October 4, 2023
Having followed Edmund de Waal’s work as both a writer and an artist ever since the publication of his memoir The Hare with Amber Eyes: A Hidden Inheritance (2010), and Atemwendeb, his first exhibition at Gagosian Gallery in 2013, I’ve come to realize how Edmund has managed to maintain a remarkable balance between on one hand the making, and on the other hand the writing.
October 1, 2023
Walter De Maria (1935–2013) almost never gave interviews. In a rare one from 1972, he mentioned that he had conceived twenty-four three-dimensional
October 1, 2023
Jeffrey Weiss on the preservation of Walter De Maria’s Earth Room
September 25, 2023
From Jackson Pollock’s solo debut to Philip Guston’s recent retrospective, a look at the exhibitions that have shaped the city’s art scene and the culture at large.
September 22, 2023
Seth Siegelaub What Why How Textile Art Theory is organised on the occasion of the recent acquisition of Seth Siegelaub’s book collection, and the consequent donation of his fabric collection by Marja Bloem.
September 20, 2023
Sotheby’s Monaco is hosting South Korean calligraphist and watercolour painter Minjung Kim's first-ever exhibit in the Principality: Burning Gravity.
August 29, 2023
At least $230,000 worth of art and ephemera is being offered to repay creditors in the gallery's 2013 bankruptcy