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Nancy Lee’s first full-length poetry collection, What Hurts Going Down, paints a landscape of rape culture that is both matter-of-fact and horrifying. The poems reveal this world through an array of personal recollections, second-person invocations, and third-person narrations, varyingly detached and vivid. Rape culture, or the normalizing of sexual aggression and exploitation, is a subject of visceral, if mundane, recollection: a hookup on a basement bear-skin rug (“Girl with Bear”), an encounter in “a bar by an off-ramp” (“Ms. Clairvoyant”). But it is also a sedimentation of echoing encounters that effortlessly parallel coming of age: “my childhood bed, the guest room / bed, the bed in my college dorm / and the futon in my first apartment” (“Analysis”).

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