ray armandtrout. for much of her lengthy career, she has talked a skeptical eye at the american language. it wasn t the music of words that aroused her suspicions. it was their capacity to sneak in political slab under the radar but her poems certain as she has said to focus on capitalism into consciousness have nothing of the ideological all monitor about. .. she is similarly ambivalent about the very idea of metaphor. on one hand it strikes her as an endless series. an integer, metaphor is a ritual sacrifice that kills the look alike. yet her on poems are constructed out of marvelous yet strictly arranged bits of language and we are more or less start with the mesh of near approximation. she asks, what if there were a hidden calling one thing by another s name. no, but there is. doctors need only immerse themselves. we congratulate her on the award. [applauding] thank you for that introduction. this is great. thank you, and unknown book cri i m brought a little somethin
summer 200077 how long had you been out of prison at that point ? guest: released march 4, 2005 i had been out two years. the book about because i was featured on the front page on and the washington post for a book clubs said that was a result of my a consequence is it is about prison but is also my love of literature and how that change me into a different person. host: a question of freedom. r. dwayne betts. . . in criticism and it s another we into tonight s program i want to read the ending to his beautiful s.a., the book as a container of consciousness. and when we read, with our timber entirely attuned to the text for, we become our heads, we become the best book of all. where the words are now played and we are the page where the rest and we are the hall where they are heard and we are by god belleek in our mind is moving in that moment thomas brown about and rm, our g8 speed grades and it can t be so wrong to be feared or sent away. the loss of loved but over f