A detail from Hannah Wilke’s Intra-Venus Triptych “Marilyn Monroe” (1992-93) © 2021 Scharlatt Family, Hannah Wilke Collection & Archive, Los Angeles / Licensed by VAGA at Artists Rights Society (ARS), NY Permission
“Hannah Wilke was a provocateur a certain notoriety followed her and she also cultivated it,” says Tamara Schenkenberg, the curator of an exhibition at the Pulitzer Arts Foundation in St Louis dedicated to the pioneering feminist artist who used the taboo subject and form of the vagina as her central motif. “She’s an interesting figure, both well-known and influential, but also understudied.”
The exhibition
Hannah Wilke: Art for Life s Sake (4 June- 16 January 2022) features nearly 120 works spanning three decades, from the artist’s early suggestive boxlike vessels in clay made in the early 1960s while a student studying sculpture at the Stella Elkins Tyler School of Fine Arts near Philadelphia, to her more overtly vulvic shape
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