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L A s history is often whitewashed, romanticized and censored A new push to tell the truth

L A s history is often whitewashed, romanticized and censored A new push to tell the truth
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Essential Arts: A largely Latino-free Oscars in L A s Mexican heart

I’m Carolina A. Miranda, arts and urban design columnist at the Los Angeles Times, and it’s the weekend which means it’s time for the week’s essential culture news.

Essential California: Making sense of the past in a city of the future

Enter email address You may occasionally receive promotional content from the Los Angeles Times. Los Angeles, as the writer Octavia Butler once mused in a notebook, “forms and shatters, forms and shatters.” This has never been a place with a conventional relationship to its history. Advertisement Where little blue plaques and carefully preserved structures have proliferated elsewhere, L.A. s official stance on the past has typically been both grander and more opaque heavily romanticized, carefully edited, booster-ized, whitewashed and perpetually repackaged in service of whatever comes next. “We have always had our civic gaze fixed on the future,” Christopher Hawthorne, the city’s first chief design officer and a former Times architecture critic, told me. “To the extent that we have had a coherent sense of identity, it has been very much shaped by that perspective.”

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