Page 6 - Cold Joy News Today

Set among fur-trappers in the Pacific Northwest in the 1820s, Kelly Reichardt’s First Cow captures the origins of modern American entrepreneurial culture. She talks about how seeing, not showing, has been her motto.

As her latest feature First Cow is released, Caitlin Quinlan takes a look at the director’s body of work to date

The overlooked, the underseen, and more: Unmissable gems to search out, from a very strange cinematic era

River of Grass to First Cow. ON RIVER OF GRASS – «When I look at that film, I think I am very aware of the films I was watching, and my influences are very much on my sleeve as a young filmmaker. It’s lucky that I shot in the neighbourhoods I knew, which now I shoot very far away from, a place I don’t know so I can be in a new place, but I think for that film it was good that I was sticking to something I did know: streets, highways I knew; all the places and interiors were all places I...

First Cow Director Kelly Reichardt on Daily Process of Making Art Ann-Marie Corvin, provided by FacebookTwitterEmail Accepting the Robby Muller award online this week, ahead of a talk at the International Film Festival Rotterdam to celebrate her work, Kelly Reichardt appeared delighted with its form. In its second year, the award has taken the guise of an enlarged Polaroid print featuring a solitary tree, which was taken by Muller on a winter’s day in Munich during the eighties. More from Va...

Willamette Week The need for strong, independent local journalism is more urgent than ever. Please support the city we love by joining Friends of Willamette Week. As Kelly Reichardt’s First Oregon Feature Turns 15, It’s the Perfect Time to Revisit the Beginning of an End of an Era in “Old Joy” The Sundance breakout sketches the uneasy friendship between two Portlanders seeking out Bagby Hot Springs for a hike, a soak and a hundred little talks. INTO THE WOODS: Old Joy follows the u...

Dec 31, 2020 - Cinemas might've been closed, but this year was still a great one for movies.

OK, so I snuck in one doc. Whether Spike Lees thrillingly immersive record of this sui generis theatrical concert is the best film of 2020 is open to debate. What I can say with absolute certainty is that the hyper-kinetic hymn to community and connection in a politically divided, environmentally ailing world is by far the most therapeutic time I had at a movie in this trying year of isolation and anxiety. Byrnes show was already something special on Broadway, with the silver-topped, professori...