Alan Joyce is leader of what is arguably the most recognised brand in Australia and he was adamant the most important relationships in a company are between the CEO and the chairman and the CEO and the board.
Speaking with Conexus Financial CEO Colin Tate as part of the Redefining Leadership Series presented in partnership with MLC Wealth, Joyce said you should “treat your board as the best set of advisers”.
“A lot of CEOs go out and get management consultants in when you sometimes have sitting around the table the best management consultants you could ever tap into,” he said.
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Possessor is the second feature film by visionary writer-director
Brandon Cronenberg, son of David and Carolyn. The Toronto native made his original debut with 2012 s
Antiviral, about a tech company that sells celebrity illnesses to obsessed fans. With the same gruesome verve as his father David one of the originators of the body horror subgenre to begin with Cronenberg s work often explores body modification, infection, technology, and interweaving of the psychological with the physical. With
Possessor, he digs even deeper into the new flesh to tell a story about identity in this digital age.
Andrea Riseborough stars in Cronenberg s
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I can only imagine how proud David Cronenberg (a master of intensely thought-provoking and simply intense horror classics) must be of his son, Brandon Cronenberg, for what he has made out of his own filmmaking career thus far. Case in point, his sophomore feature-length directorial effort
Possessor - an intensely thought-provoking and simply intense horror film featuring Andrea Riseborough, Christopher Abbott, and Jennifer Jason Leigh among the talented cast. That being said, I can also only imagine how many people walked away from the
Possessor is there to fill space on screen or eat up empty minutes. A line of absolute intent threads every image, sound or scene together to create a lattice of double, triple meanings that the viewer is tasked with untangling and then untangling some more.
Andrea Riseborough (
Mandy, The Death of Stalin) drifts across the lens as the weary and ethereal Tasya Vos, a corporate assassin who kills through the skin of others. By hijacking a stranger with the access and motive, her shadowy employer creates the perfect crime, ending with a gun between the teeth to facilitate the extraction. Except that Vos can somehow no longer kill ‘herself’ and instead ends the rampage of the opening sequence with ‘suicide by cop.’
Possessor wins grand prize at Gerardmer film festival businesstimes.com.sg - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from businesstimes.com.sg Daily Mail and Mail on Sunday newspapers.